[ BIS SACD / Hybrid SACD ]
Release Date: Wednesday 13 November 2024
This item is currently out of stock. It may take 6 or more weeks to obtain from when you place your order as this is a specialist product.
Together with pianist Michael McHale, Michael Collins continues his exploration of the chamber repertoire for clarinet, turning to British music with this recital covering a hundred years of music for clarinet and piano which reflects the special relationship between English composers and this instrument. The earliest works on this recording are the Three Intermezzi and the Sonata by Charles Villiers Stanford, who made no secret of his debt to Brahms. As with his Viennese counterpart, Stanford's music is poised yet seductive and, in this case, beautifully conceived for both instruments. Known for the strength of his vocal music, Gerald Finzi also makes the clarinet sing in his Five Bagatelles composed during the Second World War. Light and touching, they appear as a personal reinterpretation of the baroque dances found in Bach's instrumental suites. Not surprisingly, Malcolm Arnold's Sonatina has always been popular with clarinettists, with its energy and its nods to jazz and dance music. Last but not least, Joseph Horovitz, the last composer in chronological order, is represented by his Two Majorcan Pieces and his Sonatina. Once again, the music is playful and makes an excellent showcase for the clarinet.
Arnold: Sonatina for Clarinet and Piano, Op. 29
Horovitz: Sonatina for clarinet & piano
Stanford: Three Intermezzi, Op. 13
Finzi: Five Bagatelles, Op. 23
Stanford: Sonata for Clarinet and Piano, Op. 129
Horovitz: Two Majorcan Pieces