[ Hyperion / CD ]
Release Date: Tuesday 26 February 2002
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A persuasive case for the often sublime artistry of the humble parlour song' (Gramophone)
'I was amazed, listening to the rich warmth of Thomas Allen's voice, just how many of these songs I knew … Popular, enduring tunes encapsulating a golden era, honestly performed by one of the great baritones of our age' (Classic FM Magazine)
A persuasive case for the often sublime artistry of the humble parlour song' (Gramophone)
The making of this record was a very special labour of love for Sir Thomas who writes of it:
"The completion of this record marks something of a watershed for me in a career not without incident and highlight. So why, you may ask, should a recording of what were once mostly popular songs be just as telling, if not more so, than the commitment to disc of the great works of Mozart, Wagner, Verdi, Berlioz and so many other heavyweight names?
I can only say that nostalgia and sentiment are almost entirely responsible, plus a genuine love of the often simple but very beautiful melodies that lie within these songs. The majority of them did indeed enjoy popularity in their day, still do in some cases. Others never made their mark, and I feel should have done, but who can ponder the eternal riddle of why, with works of not dissimilar quality, some make it and others don't.
There's no academia behind this recording, just my very simple need to recapture memories I have of amateur singers coming through our house in Seaham Harbour, to practice these songs and others with my father at a time when there seemed a need for reassurance, perhaps, following two world wars. Then, there was no embarrassment at the sentiment common to so many of them, as one might experience now.
My father, I think, would have liked the record and I want it to be in his beloved memory ..." -THOMAS ALLEN
Passing by (Robert Herrick/Edward Purcell) [1'42]
The lark in the clear air (Sir Samuel Ferguson/Traditional arr Phyllis Tate) [1'45]
My Dearest Heart (Sir Arthur Sullivan) [2'57]
Until (Edward Teschemacher/Wilfrid Sanderson) [2'00]
Love's Garden of Roses (Ruth Rutherford/Haydn Wood) [3'35]
Drink to me only (Ben Jonson/Traditional arr Roger Quilter) [2'19]
It is only a tiny garden (Lillian Glanville/Haydn Wood) [2'05]
Love, could I only tell thee (Clifton Bingham/J M Capel) [3'43]
A Mood (E J Macdermott/Alison Travers) [2'49]
Smilin' through (Arthur A Penn) [1'37]
The Lost Chord (Adelaide Procter/Sir Arthur Sullivan) [3'44]
The Holy City (Frederic E Weatherly/Stephen Adams) [5'07]
The Cheviot Hills (Jack Robson) [2'47]
On the banks of the Wabash, far away (Paul Dresser) [3'11]
A Brown Bird Singing (Royden Barrie/Haydn Wood) [2'31]
She is far from the land (Thomas Moore/Frank Lambert) [2'59]
In Summertime on Bredon ( A E Housman/Graham Peel) [3'32]
The Trumpeter (Francis Barron/J Airlie Dix) [3'22]
Bird of Love Divine (Kathleen Birch/Haydn Wood) [1'57]
God's Garden (Dorothy Frances Gurney/Frank Lambert) [2'09]
Till the boys come home (Lena Guilbert Ford/Ivor Novello) [3'15]
Trees (Joyce Kilmer/Oscar Rasbach) [1'54]
The Old House (Frederick O'Connor) [2'20]
Bird Songs at Eventide (Royden Barrie/Eric Coates) [2'46]
I'll walk beside you (Edward Lockton/Alan Murray) [2'31]