Rachmaninov: All-Night Vigil, Op. 37, Vespers

Sergey showed musical talent from an early age. From the age of four, his mother taught him the piano. On the advice of his uncle, the pianist Alexander Ziloti, he moved to Moscow to study the piano and composition. At the Conservatory he completed his final examinations as a pianist in 1891 and as a composer in 1892, and before the turn of the century, his works had already found broad popularity. Disappointed with the cool reception given by audiences and critics to his First Symphony, he focused on a career as a pianist, performing actively in Russia and, from 1899 onwards, in Western Europe.

In the early years of the twentieth century, Rachmaninov entered a new creative period, which culminated in the Second and Third Piano Concertos, the opera Francesca da Rimini and the Second Symphony. He wrote few choral works. His most significant sacred works, the Liturgy of St John Chrysostom (1910) and the All-Night Vigil (1915) date from this second period. Later he wrote no more sacred music.

Rachmaninov had been in contact with Orthodox sacred music since his childhood. The influence of Orthodox chant is clearly detectable in his music, for instance in his use of stepwise motion, a characteristic of Orthodox chant, in his themes. On the other hand, his works also reflect to a great extent the Impressionism and Symbolism of the turn of the twentieth century. His music fascinates the listener with its richness of melodic invention, its Slavic intensity and its incisive rhythms.