Donizetti: L'elisir d'amore (complete opera recorded in 1991)

Pavarotti himself cited the buffo role of Nemorino in L'Elisir d'Amore as one of the roles best suited to him, both vocally and temperamentally - a judgement strongly supported by the press

Kathleen Battle is captured in this production at the height of her career at the MET, being praised for her ravishing vocalism and the airborne, feathery quality of the voice itself

Juan Pons Belcore and adds as much charm and vocal quality to the performance as buffo veteran Enzo Dara does in the role of Dulcamara

The production by John Copley shows the strongest respect to 19th-century comic opera - under the musical direction of James Levine, this DVD (taped in 1991) is a timeless statement for the qualities of Donizetti's joyful masterpiece.

"This wonderful performance, taken from the stage of the Met in 1992 (and probably with a fix-up session or two), is a grand remembrance of two great singers who have since collapsed in different ways. Pavarotti already was uncomfortably fat when this was taped, but neither his breath nor his physical movements had been badly affected--that happened a mere two or three years later. At 57, the voice was still beautiful and pliable, his phrasing exquisite. And he loved the role of Nemorino and always seemed happy with both its comedy and pathos--he steals every scene he's in, and no one minds. (The Met recorded another L'elisir with him in 1981, and he is marginally better in every way--and at least 75 pounds lighter and therefore more agile on stage; but that performance is currently unavailable.)

Kathleen Battle sings Adina with perfect, pearl-like tone, absolute fluency and commitment, and a trill to die for. Just a few years later she imploded emotionally and was fired from the Met for "unprofessional actions ... profoundly detrimental to artistic collaboration." Oh well. Juan Pons is a suitably blustery Belcore, but he lacks the low notes for the part and smudges the few runs the role requires. Enzo Dara is an ideal Dulcamara, just the right combination of huckster and sentimentalist, with ease in every register and with fast music. Korliss Uecker's Gianetta is lovely, and the Met Orchestra and Chorus are terrific under James Levine's perky leadership.

The direction by John Copley is entertaining, with just a few too many cute dance steps for the soldiers, but an otherwise fine sense of comedy, and Beni Montresor's cotton-candy sets and costumes delight the eye in an unrealistic sort of way. The picture format is 4:3 and is bright and clear without being brilliant, the audio choices are PCM Stereo, DTS 5.1, and Dolby Digital 5.1, and subtitles are available in Italian, German, English, Spanish, French, and Chinese."
(9/8 Classics Today)