Shostakovich: Suite on Words of Michelangelo / Six Romances / October

"An excellent release, but if Melodiya were to re-issue their original recordings with Yevgeny Nestorenko there would be no contest"
(MusicWeb March 2006)

'The Michelangelo cycle is perhaps Shostakovich's most unfairly neglected masterpiece, embodying everything that is hest about late Shostakovich in its concentration and power… on balance the new recording is now a clear first choice…'
International Record Review

This CD is released in celebration of the 100th anniversary of Shostakovich's birth

Ildar Abdrazakov idiomatically sings his native repertoire.

Gianandrea Noseda has constantly received tremendous reviews from the press and enthusiasm from the public.

This is the only available recording of these works.

Shostakovich's understandable reputation as one of the twentieth century's greatest symphonists has tended to eclipse his achievements in other musical forms. Since his death in 1974 Shostakovich's chamber music, instrumental works, operas and ballets have grown steadily in popularity, but his song cycles have not always attracted the same consistent level of interest, which is simply not justified. Chandos therefore turns its attention to some of these works, and is delighted to enlist the winning combination of the BBC Philharmonic and Gianandrea Noseda as well as the new young Russian talent, Ildar Abdrazakov who debuts on Chandos. Noseda and the BBC Philharmonic have recorded a varied repertoire to great success, and his releases for Chandos, from Prokofiev to Dallapiccola, have routinely picked up accolades from the critics.

The song cycles have an introspective nature, which may be explained by the fact that they were composed towards the end of his life. The first emerged as the revision of an earlier work - Six Romances on Verses by Raleigh, Burns and Shakespeare, originally composed for voice with piano accompaniment but revised in 1971. This work was very personal to Shostakovich, each of the six songs is dedicated to an important person in his life and the music visits themes close to the composer and though retaining an inner reticence it is laconic and expressive. Coupled with this work are October - a vibrant and colourful piece with a satisfying structure in which the climaxes are carefully placed to achieve the maximum dramatic effect - and the cycle Suite on Words of Michelangelo, composed in the year of Shostakovich's death and intended as a tribute to the great Florentine sculptor, artist and poet.