Beethoven: Symphonies Nos. 3 & 8

"Vanska is decidedly a Beethovenian for the present."
(International Record Review Sept 2006)

"Vänskä offers a fresh look at Beethoven based on highly cultivated playing and fidelity to his dynamic markings"
(MusicWeb Nov 2006)

"There's no question that Osmo Vänskä is a true Beethoven conductor. He captures the music's vitality, its eruptive character, and its dramatic syntax as well as anyone on the podium today. He understands the importance of accents, of giving proper weight to Beethoven's bass lines, and of uncovering ear-catching detail without micro-managing the tempo and fracturing Beethoven's large musical paragraphs. The only quibble I have with this performance of the Eroica stems from Vänskä's otherwise admirable deployment of a very wide dynamic range. A couple of times he drops to a "super-duper" pianissimo so quiet that you can barely hear the music, causing it to momentarily lose tension. This only happens a couple of times, most notably at the point of the first-movement recapitulation, and it's so unnecessary given the general excellence of the interpretation that you wonder why he bothers...The performance of the Eighth Symphony is perfect. There's plenty of buoyancy in the first movement, with a really rip-roaring charge into the recapitulation...Certainly the overall quality maintains the high standard already established for this series and whets the appetite for the next installment."
(9 [performance] 10 [sound] ClassicsToday)

Few Beethoven cycles have gotten off to such a promising start as that of Osmo Vänskä conducting the Minnesota Orchestra. Since its release last year, BIS-SACD-1416: Symphonies No.4 and 5 has garnered distinctions and top marks all over the world. Making the disc its Editor's Choice, The Gramophone described it as 'fiery, elegant, bristling with character' adding 'This is impressive Beethoven', while the critic in Financial Times called it 'the modern Beethoven recording par excellence' and the reviewer in Le Monde de la Musique favourably compared Vänskä's 'incisive examination' of the scores with the interpretations of 'Norrington, Hogwood, Brüggen, Harnoncourt, Gardiner and Rattle'. The quality of the recording as well as the sound reproduction - both in stereo and Surround Sound - also received much praise and was described as being 'state-of-the-art' and 'of demonstration quality'. The eagerly awaited second instalment is now ready for release, and will most certainly create just as much excitement. The orchestra and Vänskä - who recently extended his tenure with the Minnesota Orchestra until 2011 - have, if possible, become even more attuned to each other, and together create a performance of the Eroica Symphony which is as close as possible to perfection in the details without ever losing sight of the longer lines - or the drama of the Funeral March! Symphony No.8 provides a lighter relief, as well as ample opportunity for the Minnesota strings to shine in the notorious fast Finale. All in all an intense musical experience, leading up to Symphony No.9, recorded in January 2006 and planned for release in the autumn.

Hybrid/SACD - playable on all compact disc players.