Cantatas (Vol 33) BWV41 (Jesu, nun sei gepreiset), 92 & 130

Please note: The music on this Hybrid Super Audio CD can be played back in Stereo (CD and SACD) as well as in 5.0 Surround sound (SACD).

"The Bach Collegium chorus, just eight voices in addition to the soloists, contributes to the clarity of texture. Every contrapuntal line is distinctive - a tribute, too, to the sound engineering…another thrilling contribution to Suzuki's complete Bach cantatas project"
Recording of the Month BBC Music February 2007

"Together Masaaki Suzuki and Bach Collegium Japan have achieved some remarkable successes in their Bach odyssey, and this latest collection must rank among their finest to date"
(MusicWeb Recording of the Month Feb 2007)

'Consistently outstanding performances, musical beyond belief, and worthy of any collection'
(MusicWeb International)

'Yet again a fine achievement, striking the right balance between deep contemplation and freshness of approach.' (International Record Review)

'The same thrillingly high standard as the whole series.' (Pizzicato)

'Suzuki and his Bach Collegium Japan continue to overwhelm us.'
(Classica-Répertoire)

These quotes from all over the world apply to Volume 28 of Bach Collegium Japan's Cantata cycle, but the reception has repeated itself throughout this series. On the present, 33rd instalment Masaaki Suzuki has chosen to open with a jubilant New Year cantata, Jesu, nun sei gepreiset, first performed on 1 January 1725. Only a few weeks later BWV 92 was performed, exhorting the congregation of Bach's Thomaskirche in Leipzig to surrender to God's will and God's hand. In this unusually long cantata Bach pays special attention to creating variety, and illustrates the text with powerful musical images. The closing cantata is BWV130, composed for Michaelmas - a feast day in celebration of the Archangel Michael and all angels. Again a festive work, in which trumpets and timpani play an important part, notably in the bass aria 'Der alte Drache brennt', a display piece in which the trumpets play as if in combat with the 'old dragon'. Here we also hear German bass singer Dominik Wörner, who with this disc makes a fortuitous début with the Bach Collegium Japan. He is joined by Jan Kobow, tenor, who has appeared before in the cycle, and regular soloists Yukari Nonoshita, soprano, and Robin Blaze, counter-tenor.