[ BIS SACD / Hybrid SACD ]
Release Date: Sunday 1 April 2007
This item is currently out of stock. It may take 6 or more weeks to obtain from when you place your order as this is a specialist product.
"This well-filled disc is a real cracker. The programme is well chosen and once again it seems BIS have pulled off a sonic and artistic coup. It's the first time I've heard Lan Shui and the SSO, who have already recorded several discs for BIS. Intriguingly, one of them (with the Kroumata Percussion Ensemble) pairs pieces called the Garbage Concerto and Rock Symphony. That's bound to be a challenge, but on the evidence of Seascapes alone I'd be keen to hear more of them in future."
(MusicWeb July 2007)
Hybrid Disc (SACD Surround / SACD Stereo / CD Stereo)
"This well-filled disc is a real cracker. The programme is well chosen and once again it seems BIS have pulled off a sonic and artistic coup. It's the first time I've heard Lan Shui and the SSO, who have already recorded several discs for BIS. Intriguingly, one of them (with the Kroumata Percussion Ensemble) pairs pieces called the Garbage Concerto and Rock Symphony. That's bound to be a challenge, but on the evidence of Seascapes alone I'd be keen to hear more of them in future."
(MusicWeb July 2007)
"As pure sound, this is the best La Mer that I have encounted on record. On the SACD 5.0 multichannel layer especially, the results of BIS's engineering are specatular: Debussy's 1905 sea portrait is painted on an unprecede4ntly broad canvas, with imaging of almost holographic realism and depth of perspective."
(5 Stars BBC Music August 2007)
The sea and Singapore are inextricably bound together - indeed, the first records of a settlement here give it the Javanese name Temasek ('sea town'). Ever since, these islands have provided a base for traders and fishermen, pirates and sailors. With the arrival of the British East India Company in 1819 Singapore quickly developed into one of the most important trading hubs of Asia and, indeed, the world. And although the patterns and methods of world trade and transport have changed, the sea still permeates the daily life of Singaporeans. This also applies to Lan Shui and the Singapore Symphony Orchestra, who on this disc perform four works inspired by the sea by composers as varied as Debussy, Glazunov, Frank Bridge and Zhou Long (b. 1953). The latter was the subject of Rhymes, the orchestra's previous and highly praised disc, of which web site Classics Today wrote: 'Zhou's is a personal, distinctive voice; and his beautifully crafted music achieves a remarkable synthesis of Western and Eastern musical traditions with musically rewarding results.' The reviewer at BBC Music Magazine agreed, calling the result 'utterly compulsive' with the addition: 'Here is orchestral playing of the highest calibre.' Zhou Long's The Deep, Deep Sea has as its title a quotation from Tang dynasty poet Li Bai, and was written for flautist Sharon Bezaly who performs it here. If the sea in Zhou Long's piece is an Asian one, Glazunov used a visit to Crimea and the Black Sea for his inspiration, adding a good pinch of Wagnerism to its not very salty water. Debussy and Bridge on the other hand most probably had the same sea in mind when they composed their works: Debussy finished his La Mer while visiting England in 1904, staying in Eastbourne on the south coast, and Frank Bridge (1879-1949) was born and grew up in Brighton, some thirty kilometres further west.
Claude Debussy:
La Mer - Trois esquisses symphoniques.
Zhou Long:
The Deep, Deep Sea for alto flute/piccolo, timpani, harp and strings.
Frank Bridge:
The Sea - Suite for orchestra.
Alexander Glazunov:
La Mer - Fantaisie pour grand orchestre, Op.28