[ Melba Recordings SACD / SACD ]
Release Date: Monday 20 August 2007
This item is currently out of stock. It may take 6 or more weeks to obtain from when you place your order as this is a specialist product.
"Whitehouse ... makes a good case for these works ... Bonynge ... there is no one on earth more qualified to lead such a project. The sound is excellent with good depth ... The packaged presentation of the Australian label is a model of its kind." Audiophile Audition (USA) (20 July 2007)
Hybrid/SACD - Playable on all compact disc players.
"There is much fine music to discover here and Melba's presentation is up to its usual high standards." (Tony Way, The Age)
"Whitehouse...makes a good case for these works ... Bonynge...there is no one on earth more qualified to lead such a project. The sound is excellent with good depth ... The packaged presentation of the Australian label is a model of its kind." Audiophile Audition (USA) (20 July 2007)
"Doubt that the dancing stars shine
doubt even that the sun is bright,
and that on the damp earth flowers grow;
doubt tears, doubt smiling,
and doubt that there are angels in paradise,
but believe in love.”
Franco Faccio (Amleto, 1865)
Melba Recordings proudly presents Believe in Love, a collection of rare French and Italian opera arias, recorded in stunning hi-definition surround sound. Featuring numerous world premiere recordings, with the combined talents of maestro Richard Bonynge, Orchestra Victoria and leading Opera Australia soprano Elizabeth Whitehouse, Believe in Love also features original cover and label artwork by the award-winning designer, Ken Cato.
Believe in Love was recorded in the superb and beautiful acoustic of the Robert Blackwood Hall, Monash University - one of the most prestigious venues of its size outside of the Melbourne central business district.
Reviews of Elizabeth Whitehouse in performance:
Der Rosenkavalier
"Whitehouse is a great singer-actress. Her dramatic range and vocal poise are to be treasured. ... She achieves a beautiful articulation of the German lines and a consistently elegant, warm tone ... Whenever she is on stage, she becomes the keystone of the musical structure.” (The Age)
Andrea Chenier
"He was partnered by a singer of equal stature, Elizabeth Whitehouse, who is fast becoming a leading soprano of her generation. As Maddalena she was both winsome and exciting, and in 'La mamma morta', she sounded uncannily like Renata Tebaldi in her prime.” (Opera News)
1. Sapho: O ma lyre immortelle (Gounod) (5:29)
2. La Reine de Saba: Plus grand dans obscurité (Gounod) (5:30)
3. Amleto: Dubita pur che brillino (Faccio) (3:40)
4. Salvator Rosa: Alla infelice suora – Volate, volate (Gomes) (4:13)
5. Cinq Mars: Nuit resplendissante (Gounod) (5:01)
6. Étienne Marcel: O beaux rêves évanouis! (Saint-Saëns) (3:43)
7. Le Tribut de Zamora: Que me dis-tu? (Gounod) (4:40)
8. Marion Delorme: M’è tolto, ahimè, d’essere felice (Ponchielli) (3:45)
9. Andrea Chénier: La mamma morta (Giordano) (3:47)
10. Chatterton: Benedetta dal ciel (Leoncavallo) (2:09)
11. Zazà: Mamma! Io non l’ho avuta mai! (Leoncavallo) (3:07)
12. Zazà: Va via! (Leoncavallo) (published by Casa Musicale Sonzogno) (2:27)
13. Adriana Lecouvreur: Io son l’umile ancella (Cilea) (3:03)
14. Siberia: Ah! Finalmente! (Giordano) (published by Casa Musicale Sonzogno) (2:33)
15. Gloria: Amare! Amar! (Cilea) (published by Casa Musicale Sonzogno) (2:27)
16. Gloria: O mia cuna fiorita (Cilea) (published by Casa Musicale Sonzogno) (3:05)
17. Isabeau: Venne una vecchierella (Mascagni)
(published by Casa Musicale Sonzogno) (3:18)
18. Sì: Sortita di Sì (Mascagni) (3:24)