Bliss: Checkmate Suite / Quintet for Clarinet and Strings / etc

Further studies at the Royal College of Music under Charles Villiers Stanford were interrupted by the outbreak of the First World War. He had a distinguished service in the Army. In 1921 he was appointed professor of composition at the Royal College of Music. However this appointment lasted only a year. He decided to devote his energies to composition.

From 1923 to 1925 he spent in California. There he married Trudy Hoffman. Bliss was in the United States when the Second World War broke out. He remained there to teach at the University of Berkeley. However in 1941 he returned to England, leaving his wife and family temporarily in the States.

From 1942 until 1944 he was Music Director of the BBC. Bliss received a knighthood in 1950. On the death of Sir Arnold Bax in 1953 he was appointed as Master of the Queen's Musick - a post he held until his death and which he took seriously.

Sir Arthur Bliss died in London in 1975.

The catalogue of Sir Arthur Bliss is comprehensive. It covers virtually every genre in the composer's tool chest. However there are relatively few works that can be safely said to be in the public domain. Perhaps it is the music written for the 1935 film 'Things to Come.' This was based on the book by H.G. Wells. Many people will have heard the signature tune for the ABC Television network in 1956. Few will realise who the composer was.

Perhaps Arthur Bliss's greatest works were the Colour Symphony (1921) the Piano Concerto in Bb (1938) and Morning Heroes (1930) for speaker, chorus and orchestra.

However, there are many treasures in the catalogue, which well deserve exploration. His chamber music is a serious contribution to the 20th Century repertoire. But perhaps it is the ballets that have inspired some of Bliss' finest music. Adam Zero (1946) Checkmate (1937) and the Miracle in the Gorbals (1944) have been successfully performed and exceptionally well received.

Bliss can be said to have a number of styles in his workshop. There was the early dalliance with Stravinsky and Les Six. Then there was a return to a late romantic idiom influenced to a certain extent by Elgar - especially perhaps in the Colour Symphony and the music written for the royal and national occasions.
(MusicWeb)