Asrael Op 27

Hybrid SACD (recorded in DXD; SACD Surround 5.0 / SACD Stereo / CD Stereo - playable on all SACD and CD players)

"This is the first totally non-Czech recording of Suk's tragic masterpiece, and it's brilliant. In case you don't already know the story, Suk wrote this harrowing, five-movement symphony to expiate the pain and grief of the double loss of his wife and father-in-law (who happened to be Dvorák), both of whom died within about a year of each other. Asrael is the angel of death, and the music refers directly to Dvorák's Requiem (in its second movement) and seemingly to Slavonic church music as well. While often dark in tone, it is by no means lacking in color or contrast. The third movement reveals Suk as a master of the creepy scherzo to rival the Mahler of the Seventh Symphony, while the transfigured major-key ending is anything but facile, and achieves precisely the catharsis that Suk intended.

This performance is magnificent. Asrael has been recorded before, and very well, by most major Czech conductors, including Talich, Neumann, Pesek, Kubelik, and (less successfully) Belohlávek. Ashkenazy's performance here is as fine as any of them; indeed, he brings more sheer excitement to the finale than any other conductor on disc, and the playing of the Helsinki Philharmonic gives nothing away to the Czechs in the Talich and Neumann versions. Ashkenazy also enjoys far and away the best engineering: the coda of the first movement, with its hammering bass drum, wailing violins, and menacing brass, never has sounded more harrowing. And it's important that this music gets played by non-Czech forces in order to enter the general repertoire. It certainly deserves to be much more than a merely local specialty. If you love the symphonies of, say, Mahler or Tchaikovsky, then you really must hear Asrael."
(ClassicsToday 10/10)

"I was saved by music," wrote Czech composer Josef Suk about his 'Asrael' Symphony, a work born out of tragedy and the loss of his teacher Antonín Dvořák in 1904. While composing the first part to a funeral symphony titled after the biblical angel of death who leads souls of deceased to the land of eternal blissfulness, Suk also lost his wife (Dvořák's favorite daughter Otilie). Suk's greatest work remains a masterpiece of the late-Romantic repertoire which can easily be compared in scope and emotional range to Bruckner and Mahler.

An expert in Czech music, Vladimir Ashkenazy conducts the Helsinki Philharmonic Orchestra in a masterful and intense performance of this deeply moving work, which has never before been released in super audio quality.