Beethoven/Korngold: Violin Concertos

"Capucon's latest solo release is a beautiful and appropriate pairing of two concertos that, separated by 140 years, don't at first appear to have much in common. However, despite their very different musical sound worlds, the essential flavour of both is of lyricism. Egotism is out, as both works are at their best when their very real technical challenges are not milked for show. This makes them perfect choices for Capucon's elegantly understated delivery. Altogether, an elegantly feel-good disc."
(BBC Music Nov 2009)

"A disc worth exploring, especially if you want the Korngold" (MusicWeb March 2010)

"Renaud Capuçon is one of today's outstanding violinists - less flashy than some, but a fabulously musical player who is as remarkable a chamber player as he is a concerto soloist," wrote The Guardian in its review of the French violinist's recent Virgin Classics CD of Mozart concertos, describing the disc as "a fine achievement", while the Scottish newspaper The Sunday Herald felt that: "Capuçon's silvery tone and expressive phrasing of the slow movements … beautifully balance his brisk and exhilarating takes on the allegros and prestos….Don't miss this one." The BBC Music website pointed out that "Capuçon's style, perhaps because of his regular chamber work, is natural, understated and perceptive; the sound of a musician happily relaxed in his skin and not feeling the need to prove any virtuosic credentials. His performance here is lithe, graceful and refined, capturing vivacious humour with luminous upper-stringed sparkle, and colouring the slower movements with warm, musical poetry."

Capuçon's Virgin Classics discography is substantial, but much of the focus has been on chamber music - only two previous discs have featured him in solo concertos. Now he takes on two highly constrasting works: Beethoven's sublime concerto, a touchstone of any major violinist's repertoire, and Korngold's gorgeous work, written in 1945 for one legendary violinist, Bronislaw Huberman, but premiered in 1947 by another, Jascha Heifetz. Korngold, once known primarily for his spectacular film scores, has in recent years achieved a significant presence in opera houses and concert halls - notably with his early opera Die tote Stadt and with this concerto, which in fact draws on material that the composer originally produced for Hollywood movies, Another Dawn (1937), Juárez (1939), Anthony Adverse (1939) and The Prince and the Pauper (1937).

Conducting the Rotterdam Philharmonic Orchestra is its Music Director, the thrilling young Canadian Yannick Nézet-Séguin, who took up his post in 2008 and who is also Principal Guest Conductor of the London Philharmonic Orchestra - an appointment which led to an award from the Royal Philharmonic Society in May 2009.