Masterworks for Flute and Piano II

Reinecke's work is a musical re-telling of the well-known story of Undine, the water spirit who marries a knight, but is betrayed and takes her revenge on him. Frank Martin's virtuosic Ballade (1939) features an acrobatic flute cadenza, roaming melismas and irrepressible cascades, generating a compelling sense of drama. In 1945, while in exile during the German occupation of Czechoslovakia, Martinů composed his Flute Sonata, in which the virtues of his distinct musical language are plain to hear - lyrical lines, a rhythmic drive which is both energetic and lively and an effective use of tone colour. Six years later the bird-lover Messiaencomposed Le merle noir, constructed around the song of the blackbird, which he painstakingly noted down and then found the means to imitate on the flute. Poulenc's melodic Sonata, finally, has become a signature work for its composer: its lightness, transparency and sonic refinement have charmed audiences ever since the first performance. Presenting this substantial programme is Sharon Bezaly, one of today's leading flutists, supported by the eminent pianist Ronald Brautigam. The same performers have previously released a highly acclaimed duo disc whichClassic FM Magazine described as 'compulsively listenable … Prokofiev's Flute Sonata has never sounded so perkily seductive on disc, nor has Schubert's enchanting set of variations given up its secrets so readily'. In agreement with this, website Classics Today.com wrote: 'On the evidence of this sensational disc, it seems clear that Sharon Bezaly is a flutist virtually without peer in the world today'.

"Sharon Bezaly is rarely less than impressive. Her well-constructed programmes are performed with a mixture of virtuosity and rich tone, making her name almost a guarantee of quality. Partnered here...by the equally exceptional Ronald Brautigam, Bezaly provides another showcase for their talents." BBC Music