Manto and Madrigals: Duos for Violin and Viola

"Thomas Zehetmair is a serious violinist. He has the chops to play the war horse concertos but is known for playing meatier modern concertos by the likes of Karol Szymanowski, Leos Janacek, Heinz Holliger and Karl Amadeus Hartmann. Like many of his adventurous recordings for the ECM label, Zehetmair's new disc is not for the listener who cannot abide music more recent than Debussy. It will be a welcome diversion, however, for those who like to have their ears pulled in other, even uncomfortable directions. The four-dozen duos by Bartok are among the most famous works for violin duet, and Zehetmair and his wife, Ruth Killius (also the violist in the Zehetmair Quartet), play a youthful Bartok duo arranged for violin and viola. The score, reproduced in the booklet, with a thoughtful essay by Paul Griffiths, is 22 simple measures in G major for the first violinist. Turn the score upside down and it is to be read by the second violinist. It is an ingenious idea that makes for a pleasing little trifle when played. Other pieces on this disc are just as easy to swallow, like the 1996 "Midhouse Air" by Peter Maxwell Davies, which ends with a folklike hoedown, and the thrilling, mostly tonal "Three Madrigals" by Bohuslav Martinu, from 1946. Overall, the disc gives an impression of the virtuosity of the modern performer, who can milk an arching tonal melody as well as sing along with herself in dissonant dyads, as Killius does on Giacinto Scelsi's "Manto." Pieces by Holliger, Johannes Nied and Rainer Killius (the former husband of the violist) were composed specifically for this pairing of musicians, rounding out this dual self-portrait in a mirror." Washington Post

In their first recording as a duo, violinist Thomas Zehetmair and violist Ruth Killius take the listener on a stunning tour of modern music, playing works by Bartók, Holliger, Scelsi, Martinů, Skalkottas, Rainer Killius, Johannes Nied and Peter Maxwell Davies. "The instruments dazzle, dance and declaim, play games with one another," remarks Paul Griffiths in the liner notes.

The husband and wife team who comprise half of the multi-award winning Zehetmair Quartet have been playing this material as part of their recital work for several years already, with great success. These pieces formed the core of their performance at ECM's 40th anniversary festival in Mannheim - a concert singled out by critics as a highlight of the event - and they perform music from Manto and Madrigal in London in early April. On this recording, the relationships between the pieces and between the instruments are explored in compositions that range from Scelsi's dissonant and microtonal journey toward the mystic core of music making, with Killius as singer as well as viola soloist to duo pieces that incorporate elements, archaic or playful, from regional folk music. There is very early Bartók here, and music of Schoenberg's sole Greek pupil Skalkottas. There are three sketches by Heinz Holliger, written especially for Zehetmair and Killius, playful madrigals by Martinů, and an encore provided by the performers' friend Johannes Nied.

Thomas Zehetmair, virtuoso violinist, conductor, and musical director of the Northen Sinfonia, has recorded Holliger's Violin Concerto for ECM and his solo discs of Ysaÿe and Paginini won great critical acclaim. He and Ruth Killius co-founded the Zehetmair Quartet in 1994. Their Schumann Quartets album was Gramophone's Record of the Year in 2003 and the recent disc of Hindemith and Bartók was awarded the Diapason d'Or de l'Année.