Incidental Music for Antigone, Athalia & Oedipus

"Just think: some two hours and fifteen minutes of new and vintage Mendelssohn! The chamber music has enjoyed a great renaissance over the last decade or so. Now the theatrical Mendelssohn beckons. On this evidence these scores include much music of delightful quality. These are pleasing recordings."
(Bargain of the Month Dec 2011)

Felix Mendelssohn is associated with one brilliant score of incidental music for the theatre - A Midsummer Night's Dream - but in fact he composed scores for no less than 15 stage works.The most significant of them, including the three works in this set, date from the period when he was employed by King Frederick William IV of Prussia, who was strongly attracted to the spirit of Romanticism and the culture of Greek antiquity.

Mendelssohn was drawn to Sophocles's tragedy Antigone by its strong dramatic sense and its universal themes, particularly Antigone's pathos and heroism. In addition to setting several of the choruses, he composed interludes and background music for speeches and dialogues. His highly effective score is intensely noble and romantic yet also sensitive to the verse.

His music for Sophocles's Oedipus at Colonus moves further away from Athenian dramatic form, with accompanied recitative, solos and duets for the principal characters, and is more elaborate. It has a tragic intensity not often heard in his music. His score of incidental music for Racine's religious drama Athalie is typical of the composer's style - characterised by flowing, sustained melodic invention, colourful orchestration and imaginative scoring for the voices. It displays the composer at the height of his powers both as a musical dramatist and an orchestral tone-poet.