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[ EMI Ballet Edition / 2 CD ]
Release Date: Friday 1 July 2011
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The Prince of the Pagodas and The Miraculous Mandarin: both titles suggest Oriental fairy tales, but while Britten set a fantastic scenario for choreographer John Cranko, Bartók controversially evoked and expressionist urban nightmare. In his variation-based score, Britten salutes Tchaikovsky, Stravinsky and the Javanese gamelan. Bartók, with atonality, complex textures and rhythms, and daring orchestration, illustrates vice and violence as a Chinese mandarin miraculously survives repeated murder attempts, only dying when his lust is assuaged.
Bartók:
The Miraculous Mandarin, Op. 19, Sz. 73 (suite)
Jeremy Jackman
Britten:
The Prince of the Pagodas, Op. 57 - Suite
Oliver Knussen