Brian: Symphony No 1 in D minor "Gothic"

Brian: Symphony No 1 in D minor "Gothic" cover $50.00 Low Stock add to cart

HAVERGAL BRIAN
Brian: Symphony No 1 in D minor "Gothic"
Susan Gritton (soprano), Christine Rice (mezzo-soprano), Peter Auty (tenor), Alastair Miles (bass) / London Symphony Chorus, Martyn Brabbins

[ Hyperion / 2 CD ]

Release Date: Thursday 1 March 2012

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"Hyperion's release is a perfect one, of a great event, a magisterial work and an encapsulation of the enormous difficulties of the project as a whole" Gramophone Editor's Choice Feb 2012

"Hyperion's release is a perfect one, of a great event, a magisterial work and an encapsulation of the enormous difficulties of the project as a whole...[Brabbins emphasises] the kaleidoscopic variety of speeds, textures and invention in the score. Aided by Hyperion's sensational sound, details which barely registered before become crystal clear...I cannot recommend it strongly enough." Gramophone Editor's Choice Feb 2012

"credit to Martyn Brabbins for overseeing a performance which emphatically does not play it safe: enabling the piece to be appreciated for a formal evolution as oblique and purposeful as is its emotional progression...the discreet but intent control exerted over the vast numbers leaves no doubt as to his conviction. That the capacity audience betrays so few sign of its presence says much in itself." International Record Review, January 2012

"As ideas tumble forth in Havergal Brian's epic scheme, you cannot help admiring his fervour in getting it all down on paper. It remains one of the oddities of the English symphonic repertoire, but Martyn Brabbins and his legions of players and singers do it proud." The Telegraph, 2nd December 2011 ****

On 17 July 2011 over 800 performers gathered in London's Royal Albert Hall to give a rare performance of Havergal Brian's Symphony No 1 in D minor-'The Gothic'. Tickets for this Prom sold out within 24 hours, and so it gives us great pleasure to make this live recording available to all.

It's a pretty phenomenal work. Responding to the challenge set by Sir Henry Wood, the composer has thrown just about every known orchestral instrument into the mix, then adding a double chorus of over 500, plus children's choirs, for an hour-long Te Deum-the church's blazing Hymn of Thanksgiving-which makes up the symphony's finale.

Whether or not you were lucky enough to be there on the night, this is a recording not to be missed.