MARBECKS COLLECTABLE: Arias for Marietta Marcolini - Rossini's first muse

By creating roles to measure for her, as in 'La pietra del paragone' and 'L'Italiana in Algeri', and exploiting this interpreter's uncommon resources more fully than had other composers before him, Rossini ushered in the fashion for a new type of comedy, the brilliant, virtuoso comedy of which he was to remain the master until 'Le Comte Ory' (1828).

Unlike the numerous recorded recitals devoted exclusively to Rossini, this one presents the young Rossini in the context of the Italian musical theatre of the second decade of the 19th century. Included are extremely well-known arias like the spectacular rondo from 'L'Italiana' and that of 'L'equivoco stravagante', the original version of Clarice's rondo in 'La pietra del paragone'. It also reveals also the richness and variety of the pre-Rossinian composers are forgotten today. The Swedish mezzo-soprano Ann Hallenberg has become established as one of Europe's leading mezzosopranos. Her operatic repertoire includes a large number of roles by Rossini, Mozart, Gluck, Massenet, Handel, Vivaldi and Monteverdi. Equally at home on the concert platform, she frequently appears in concert halls and festivals throughout Europe and North America.

Includes 4 arias in world premiere recordings.

"Hallenberg is up to all the acrobatics Marcolini seems to have revelled in, her warm mezzo managing the writing's difficulties with assurance and articulating text and notes with flair...The accompaniments are well-managed under Fabio Biondi." BBC Music

"Having won plaudits in Handel and Vivaldi, Ann Hallenberg proves no less persuasive in bel canto. Just occasionally she sounds stretched in the stratosphere. But her even, gleaming tone, eloquence of phrase and fluent, never mechanical coloratura give virtually unalloyed pleasure." Gramophone

NOTE: Cover may have some slight wear