Wagner: Lohengrin [complete opera]

GRAMOPHONE AWARD FINALIST 2013: Opera

"[Dasch] is the ne plus ultra in slim-sounding, girlish Elsas. But it sounds and works so beautifully...[Vogt's] understanding of the part triumphs, there is much lovely quieter singing and he is able to bring special atmosphere to the Grail narration...Resmark is pushed at times by the tessitura...but gives such a firecracker Ortrud that no one should care...There's a terrifyingly long list of worthwhile Lohengrin recordings, to which this newcomer is a serious competitor"
(Gramophone Awards Issue Editor's Choice 2012)

"This is a Lohengrin to be listened to in Bruckner mode: revel in the sound of chorus and orchestra and put up with the voices, though I am sure some will react differently to Vogt's Lohengrin."
(International Record Review)

"Janowski has matured into the most reliably impressive Wagner conductor of our time...[Vogt] has a lovely voice, though it occasionally sounds thin; but he is expressive, intelligent and convincing. So is his Elsa, soprano Annette Dasch. The villains match them, especially mezzo-soprano Susanne Resmark as Ortrud, who calls on the pagan gods with thrilling panache...I await the rest of the Pentatone series with impatience."
(BBC Music Opera Choice Oct 2012)

"As early as the Prelude the quality of the audio shines: the separation of the strings is spotless and crystal-clear...the music, as it should, shimmers in mid air. And so it goes throughout the performance...[Vogt's] singing is outstandingly beautiful and sensitive, and you get used to the small-but-gleaming sound after a while...Lohengrin is supposed to be otherworldy, and Vogt's sound certainly is."
(Classics Today)