White People And The Damage Done

It's the long-awaited anti-austerity blast-a-thon with the teeth, venom, and one-of-a-kind music of Jello Biafra & the Guantanamo School of Medicine!

Full-length #2 picks up where the Shock-u-py! EP left off! Covered in gruesome detail this time are corruption ("The Brown Lipstick Parade", "Werewolves of Wall Street," "Road Rage,") and corporate McMedia making pop stars out of small-time crooks to shield the big ones ("John Dillinger") or tabloid pop stars to lobotomize everyone else ("Hollywood Goof Disease"). The title track shines a light on our never-ending foreign-policy disasters in ways even Jello's spoken word albums never did. "Crapture" is the perfect song to play for those lovely "End Times" believers, pointing out how much better the world will be when they leave and we're "Left Behind"- with melodies on the scale Biafra hasn't really touched since "Moon Over Marin."

Above all, this rocks! No pop-punk here. Just Jello and crew taking punk fire in a wide variety of directions few ever try, with wall-of-sound, in-your-face production from Marshall Lawless and Matt Kelley (lots of Jello projects, Hieroglyphics, The Coup, Digital Underground, Zen Guerrilla, Victims Family). Lineup retains the double-barrelled guitar attack of Ralph Spight (Victims Family, Freak Accident) and Kimo Ball (Freak Accident, Griddle, Mol Triffid). They are joined this time by bassist Andrew Weiss (Rollins Band, Ween, Butthole Surfers, more) and drummer Paul Della Pelle (Helios Creed, Nik Turner's Space Ritual, and Philly HC legends Ruin).