Khatia Buniatishvili - Motherland

 
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BACH / MENDELSSOHN / TCHAIKOVSKY / DEBUSSY / LIGETI / MENDELSSOHN / TCHAIKOVSKY / etc
Khatia Buniatishvili - Motherland
Khatia Buniatishvili (piano); Gvantsa Buniatishvili (piano)

[ Sony Classical / CD ]

Release Date: Monday 23 May 2011

Following the success of her Chopin album on Sony Classical, Khatia Buniatishvili now reveals a new, highly personal side on her album 'Motherland'.

The CD is an intimate quest encompassing solo piano works from Bach to Pärt and from Brahms to Kancheli, in which the themes of longing for home, the merriment of a folk dance and the eternal cycle of growth and decay are apparent.

Spanning a broad stylistic and historical range, the album celebrates the works that have accompanied Khatia Buniatishvili's personal path in life, including pieces from her Georgian homeland.

Motherland juxtaposes the happy lightness of a 'Slavonic Dance' by Dvorak and the melancholy of Grieg's lyrical 'Homesickness', and contrasts the elegant gaiety of Mendelssohn's 'Song without Words' (op. 67/2) with the graceful introspection of Liszt's 'Lullaby'. Classics of the Romantic piano repertoire such as Chopin's Étude in C-sharp minor (op. 25/7) and Brahms 'Intermezzo' (op. 117/2) are embedded between Bach's cantata 'Sheep May Safely Graze' and Arvo Pärt's musical dedication 'For Alina'.

Khatia Buniatishvili has been described by The Independent as "the young Georgian firebrand". At the age of only 26 years, this Tblisi-born pianist has already achieved an exceptional maturity of interpretation and a distinctive artistic approach that make her playing unmistakable.

Khatia's warm, sometimes sorrowful playing may reflect a close proximity to Georgian folk-music, which, she attests, has greatly influenced her musicality. Critics emphasize that her playing has an aura of elegant solitude and even melancholy, which she does not feel to be a negative attribute. "The piano is the blackest instrument," she says, a "symbol of musical solitude… I have to be psychologically strong and forget the hall if I want to share it with the audience." Khatia Buniatishvili speaks five languages and lives in Paris.

"soothing, intimate and reflective. Buniatishvili roduces the most ravishing, velvet-toned pianissimo, beautifully captured in Berlin's Jesus-Christus-Kirche. The trouble is that, after 20 minutes or so of ravishing, velvet-toned pianissimo, one begins to wonder if that is all this pianist is going to reveal of herself" Gramophone

"Behind the flowers, butterflies and soulful photos there lies some very classy piano-playing...Buniatishvili's playing is eloquent indeed: her voicing is expertly balanced in the opening Bach transcription and the Ravel Pavane, the phrasing sings wonderfully in the Tchaikovsky, Chopin and Scriabin...on the whole these are performances that get under your skin." BBC Music

Tracks:

Aria: "Schafe Können Sicher Weiden" BWV 208/9
October: Autumn Song Op. 37b/10
Lied Ohne Worte In F-sharp Minor Op. 67/2
Claire De Lune
When Almonds Blossomed
Musica Ricercata No. 7
Intermezzo In B-flat Minor Op. 117/2
Wiegenlied S 198
Slavonic Dance In E Minor Op. 72/2
Pavane Pour Une Infante Défunte
Étude In C-sharp Minor Op. 25/7
Étude In C-sharp Minor Op. 2/1
Sonata In E Major K 380
Homesickness Op. 57/6
Vaguiorko Ma
Menuet In G Minor HWV 434/4
Für Alina