Devilish Mary And The Holy Rollers

Devilish Mary And The Holy Rollers started out trying to be a Western swing band. If you're familiar with that genre you'd recognise the format of that perplexing name. And they still play that style, to the great delight of
many swing dancers who'll Lindy hop the night away to their whisky-fueled outpourings.

Featuring the Diabolically sultry Devilish Mary (Anita Clark) the band also consists of the Holy Rollers, two fine, upstanding gents, who serve as a sunny yin to her shady yang. (FYI, a 'holy roller' is a mouth-frothing, tongue speaking, pentecostal type, which, incidentally, neither are.) With the remarkable voice of their leader it was soon obvious, however, that you
couldn't keep them down on the farm for long. That voice longed to wrap itself around some incandescent swing jazz tunes, fiery torch songs, maybe some bizarre exotica, even the kind of songs you'd close dance to with your high school sweetheart back in the 50s. In a nutshell, whatever the Devilish Gal wants to sing, is what the band plays. Not that she has her evil way entirely - one of those holy rollers has a most affecting voice himself, that slides from a creamy croon to something bordering on a backsliding bite. Beware!
Serving as the Foundation to those voices, we have a line up of slippery yet jagged violin (Ms Clark again), tectonic yet quake- damaged double bass (Ben Woolley, who is also the golden-voiced holy roller), and irresponsible yet anxious guitar (Simon Gregory). These frenetic miscreants like to play their instruments sometimes slow and mellow, sometimes fast and flighty, their enthusiasm sometimes almost tripping over their technique (far better that way than vice versa). Their repertoire consists of renditions of obscure classics, sung by the most talented and tormented artistes of the past century, plus songs written by the band, which hold their heads high
amongst their illustrious companions of old.

In Mid 2014, after much soul searching and day dreaming, they were spotted lurking disreputably at some local bar by the seagull-eyed folk (no eagles round these parts) at Lyttelton Records, and joined their roster of fine, tortured artists. In addition it features the very talented Joe McCallum on drums and percussion, and assorted other instrumental and vocal embellishments. Ben Edwards of The Sitting Room and Lyttelton Records worked his magic in the studio to capture the warm vintage sound of this band in full swing.