[ Halle / CD ]
Release Date: Tuesday 10 February 2015
This item is currently out of stock. It may take 6 or more weeks to obtain from when you place your order as this is a specialist product.
Following highly acclaimed previous Vaughan Williams releases, Hallé announces a new volume of British orchestral jewels including his Pastoral Symphony which movingly depicts the horrors of the First World War.
Two of Vaughan Williams' most popular works, Wasps Overture and Tallis Fantasia, are coupled with arguably his greatest and most original Symphony and a delightful multiple setting of a folk-song which enchanted the composer throughout his life.
Hallé's recording of Symphonies No 5 & 8 (CDHLL7533) was awarded Sunday Times Album of the Week and Music Web Recording of the Month (April 2013)
The Wasps Overture has become one of the composer's most popular works. From the opening orchestral buzzing of a swarm of wasps, it emerges as one of English music's great tunes, this work is a showcase for the vivid orchestral colours of Vaughan Williams' writing, presented here to the height of effect by the acclaimed musicians of the Hallé.
Fantasia on a Theme by Thomas Tallis is one of Vaughan Williams's most frequently played works and is acknowledged as one of the greatest examples of writing for strings. Although the treatment of Tallis's theme is mainly contemplative, there are dramatic and passionate moments in the Fantasia, which is scored for two string orchestras (the second orchestra comprising only nine players) with solo quartet.
The 'Pastoral' Symphony is characterized with a mood which is gently elegiac and dark, and which reflects the work's true genesis. Although the title mistakenly led audiences and critics to associate the work entirely with rural landscapes and English folksong, it is in fact directly related to the First World War of 1914‑18. Vaughan Williams, although forty‑one when war was declared, enlisted as a private in the Royal Army Medical Corps and served as a wagon orderly in France.
Five Variants of 'Dives and Lazarus', for strings and harps was written for the New York World Fair in 1939, when Sir Adrian Boult conducted the first performance in Carnegie Hall. Vaughan Williams first encountered the folksong Dives and Lazarus in 1893, when he was 21, later collecting several versions, and in this mature work he displays his affection for the melody in variants which are not exact replicas but reminiscences of various versions in several folksong collections, including his own.
"This latest Vaughan Williams installment from the Hallé gets off to an impressive start with Mark Elder's approach to the Tallis Fantasia - tight-reigned, yet also singing and surging with no trace of anti-Romantic tendentiousness." (Recording of the Month BBC Music)
"Elder and the Hallé Orchestra play the symphony from the heart and the music soars...A glowing performance of the much-loved "Fantasia on a Theme by Thomas Tallis" also raises the spirits." (Financial Times)
"The troubled, sullied world that the music explores is recreated by Elder and the Hallé without ever becoming overwrought or maudlin, and bringing out unexpected resonances along the way." (The Guardian)
"the finest volume yet in Sir Mark Elder's unfolding Vaughan Williams cycle...Abetted by uncommonly articulate orchestral playing, the performance of the Pastoral Symphony evinces a glowing dedication, remarkable luminosity of texture, songful rapture and emotional clout that mark it out as a front-runner...A marvellous disc." Gramophone Award Nomination 2015 - Orchestral
Fantasia on a Theme by Thomas Tallis
Symphony No. 3 'A Pastoral Symphony'
Five Variants of 'Dives and Lazarus'
The Wasps Overture