[ BIS SACD / Hybrid SACD ]
Release Date: Friday 20 February 2015
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Carolyn Sampson has enjoyed notable successes worldwide in repertoire ranging from the early baroque to the present day, in opera and concert as well as on disc. Nevertheless, the present recording is, as she writes in a personal introduction in the CD booklet, something of a début - her first recital disc of songs with piano.When choosing the repertoire, she collaborated closely with her pianist, Joseph Middleton and together they have devised a garland of flowers: settings of poems on a floral theme in Russian, English, French and German. Just as flowers themselves are used to convey affection or regret, and are symbols of celebration as well as bereavement, the selected songs represent a great diversity, through their different musical styles and affects. Scintillating exuberance, as in Fauré's youthful Le papillon et la fleur, and intimate delicacy (Schumann: Schneeglöckchen) alternate with the ethereal mystique of Richard Strauss's Wasserrose and the sad resignation which infuses Britten's setting of Alexander Pushkin's poem Solovej i roza, depicting the unrequited love of a nightingale for a rose. There are even threatening moments, as in De fleurs, Debussy's setting of his own, Baudelairean text, in which violet irises and sickly white lilies languish in a stifling hothouse atmosphere. But as Carolyn Sampson and Joseph Middleton sum it up in the closing song of the disc, Chabrier's Toutes les fleurs, we do adore them all, be they mimosa, jasmine, lilies-of-the-valley, marigolds, corn-flowers, cyclamen
"A sweetly scented posy, this...Perfect, too, for all who love Sampson's fragrant, light-filled, warmly communicative soprano. Surprisingly, this is her sollo recital debut on disc. The bouquet was Joseph Middleton's idea, and his fluent and always idiomatic playing accompanies Sampson with glee and grace throughout." BBC Music Magazine, Awards Issue 2015 ****
'It's quite remarkable to realise that this is Carolyn Sampson's first recital disc with piano, such a firm fixture she is in these pages: well chosen repertoire, sung delightfully, as you'd expect.' Editor's Choice Gramophone May 2015
"Always a lovely Baroque singer, Sampson vividly suggests the mounting erotic excitement of 'Sweeter than roses'...But with hints of deeper colours in her vernal soprano, she is hardly less persuasive in Romantic songs...Middleton creates limpid, luminous textures...an imaginatively planned, beautifully executed recital that charms and touches by turns." Gramophone Award Nomination 2015 - Solo Recital
PURCELL: Sweeter than Roses
SCHUMANN: Meine Rose; Roselein, Roselein!
QUILTER: Damask Roses
BRITTEN: The Nightingale and the Rose
GOUNOD: Le temps des roses
FAURE: Les roses d'Ispahan
STRAUSS: Das Rosenband; Madchenblumen
SCHUBERT: Die Blumensprache; Im Haine
SCHUMANN: Jasminenstrauch; Die Blume der Ergebung; Schneeglockchen
POULENC: Fleurs
FAURE: Le papillon et la fleur
HAHN: Offrande
DEBUSSY: De fleurs
BOULANGER: Les lilas qui avaient fleuri
CHABRIER: Toutes les fleurs!