[ Partisan Records / CD ]
Release Date: Friday 22 May 2015
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Torres knows the darkness. The Brooklyn-based singer-songwriter otherwise known as Mackenzie Scott escaped the confines of her churning mind in order to find herself by recording Sprinter in the market town of Bridport in Dorset, England with co-producer Rob Ellis; and then at the Bristol studio of Portishead's Adrian Utley. With his guitar riffs and synthesizers lingering in the background like a lowland mist and PJ Harvey's Robert Ellis and Ian Olliver on rhythm-the two fortuitously reuniting 23 years after the release of Dry, and in Scott's 23rd year of living-she crafted a "space cowboy" record. "That's as simply as I can say it," says Scott, who cites inspirations as diverse as Funkadelic and Nirvana, Ray Bradbury and Joan Didion. I wanted something that very clearly stemmed from my Southern conservative roots but that sounded futuristic and space-y at the same time."
"Questioning what you once held fundamentally true is exhausting, but in every possible way, Brooklyn-via-Nashville singer-songwriter Mackenzie Scott's intense, spiritual sophomore album as Torres suggests that this is work worth doing. Her 2013 self-titled debut felt inherently raw in its stripped-down folk-rock, a sound akin to that of her future collaborator Sharon Van Etten. On Sprinter, however, Scott shrouds her voice with feedback and heavier rock instrumentation, created alongside PJ Harvey producer and percussionist Rob Ellis. The sound is like a gauze bandage covering the emotional wounds, the profound isolation and fear of abandonment, that sit at the heart of Sprinter. But Scott lets a little red bleed through nonetheless, and for listeners, at least, that's a good thing." - Pitchfork
1. Strange Hellos
2. New Skin
3. Son, You Are No Island
4. A Proper Polish Welcome
5. Sprinter
6. Cowboy Guilt
7. Ferris Wheel
8. The Harshest Light
9. The Exchange