[ Vivat / 2 CD ]
Release Date: Friday 18 March 2016
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Mendelssohn's astonishing reconstruction of Handel's great oratorio for a performance in 1833 in Düsseldorf performance has been painstakingly reconstructed from fragments and sources across Europe. The large and colourful orchestra, playing nineteenth-century instruments, produces vivid new sonorities, and the double choir sings magnificently. Listeners familiar with Handel's 1739 version will find new numbers, significant changes to the order of movements, an all-German text, and many different orchestrations - for instance, Mendelssohn adds clarinets, horns and flutes to the orchestra, and the ten recitatives are accompanied by the delicious combination of two solo cellos and a contrabass. The work also begins with a thrilling, pure-Mendelssohn overture, which mixes moments of exquisitely shifting instrumental colours with terrific life and energy. (A short MP3 clip of the overture is attached).
There is fine solo singing from the soloists: sopranos Lydia Teuscher and Julia Doyle, alto Hilary Summers, tenor Benjamin Hulett, and bass Roderick Williams: Robert King and The King's Consort are on top form. The CD was recorded in the splendid acoustic of St Jude's, Hampstead Garden Suburb, London, where TKC have made more than 65 recordings.
The extensive presentation includes a 60 page CD booklet with authoritative liner notes in three languages by renowned Mendelssohn expert Prof Larry Todd and by Robert King (who recreated the score over 18 months), as well as the full libretto and translation, session photographs, and reproductions in colour, and black and white, of Mendelssohn's manuscripts.
"the results are fascinating - burbling clarinets supply continuo, added solo recitatives fill out the sequence of choral movements, and a totally Mendelssohnian overture now kicks off the story. Handel's masterly depictions of frogs, plagues and other natural disasters in his choruses are enhanced (though with German texts) in this feisty performance." (The Guardian)
"Mendelssohn when he mounted Israel in Egypt in Düsseldorf in 1833. With no available organ or harpsichord, he rescored the 'dry' recitatives for two cellos and double bass, adding a few linking recitatives of his own. The grandly scored choruses acquired extra woodwind and horns, while a pair of clarinets infiltrated the arias and duets. Mendelssohn's reverence for Handel, and his innate fastidiousness, ensured that it was all done with taste and discretion - arguably more so than in Mozart's version of Messiah. This reconstruction of Mendelssohn's reconstruction is of great interest from a historical perspective, but also richly rewarding from a musical one." (Editor's Choice Gramophone April 2016)
CD 1: Exodus 42'27
CD 2: Moses' Gesang (Moses' Song) 39'36