Pange Lingua - Music for Corpus Christi

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JOSQUIN DESPREZ / etc
Pange Lingua - Music for Corpus Christi
Choir of Clare College Cambridge, Graham Ross, Michael Papadopoulos (organ)

[ Harmonia Mundi / CD ]

Release Date: Saturday 1 July 2017

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Continuing its series of music for the liturgical year, the Choir of Clare College now turns its attention to the feast of Corpus Christi, with a number of pieces setting the hymns of St Thomas Aquinas. Considered one of the Catholic Church's greatest philosophers and influential theologians, Aquinas (c.1225-74) led a busy life of study, teaching and travelling. In 1264, at the request of Pope Urban IV, he wrote five Eucharistic hymns at the institution of the Feast of Corpus Christi. Within these relatively brief writings - just 188 verses in total - Aquinas has gained himself the reputation of being one of the great ecclesiastical poets.

Corpus Christi remains as one of the most important days in the liturgical calendar: it emphasises the joy of the institution of the Eucharist, having previously been observed only on Maundy Thursday in the sombre atmosphere of the forthcoming Good Friday.

The centre-piece of this CD is a complete performance of Josquin's Missa Pange lingua, [c1515-21] one of the earliest masses and which heralded the Renaissance. The programme ends with Finzi's ecstatic 'Lo, the full, final Sacrifice'. The piece was commissioned by the great Reverend Walter Hussey (also responsible for commissioning major works by Benjamin Britten, Henry Moore, Graham Sutherland, Leonard Bernstein and others); Finzi composed it directly after the Second World War in 1946 for the 53rd anniversary of the consecration of St Matthew's Church, Northampton, where Hussey was vicar. Franncis Grier's setting of 'Panis Angelicus' was composed in 2015 in memory of David Trendell, Director of Music of King's College, London, who died suddenly in 2014 at the age of 50.

"The main dish on this disc is the Josquin des Prez Mass, one of the highlights of his catalog, and in fact one of the greatest works of the Renaissance period. It is believed this was his last effort in the genre, and he treats each line of equal importance, giving the entire work a continuity and intense contrapuntal beauty, using at most only four voices, and often sufficing with just two. It is a rapturous example of the wonders of the period, especially when performed with such zeal and love as the Clare chorister do here." AudAud.com

"The Clare College performance of Josquin's Missa Pange lingua which opens this recital has the kind of subtlety that can only be achieved by exceptionally responsive singers, immersed in the idiom of the music they are performing…of the nine other works on this CD, Victoria's Lauda Sion salvatorem and La Rue's O salutaris hostia are particular highlights" BBC Music

"Josquin's Missa Pange lingua is sung tenderly with a bright, luminous tone. These young singers display an impressive sense of style...this is one of the best choral performance of this Mass on record. There is little doubt that this choir has an enviable appetite for 20th-century music and they are at their strongest in the two French settings of O sacrum convivium by Villette and Messiaen." Gramophone

Tracks:

anon.: Pange lingua gloriosi (Plain-chant)
Despres: Missa Pange Lingua
Victoria: Lauda Sion salvatorem
Rue, P: O salutaris hostia
Byrd: Gradualia ac cantiones sacrae, Liber 1: XXXIII. Cibavit eos
Bairstow: Let all mortal flesh keep silence
Villette: O sacrum convivium Op. 27
Messiaen: O sacrum convivium
Grier, F: Panis angelicus
Ross, Graham: Ave verum corpus
Finzi: Lo, the Full, Final Sacrifice, Op. 26
Mozart: Ave verum corpus, K618