Bruckner - Symphony No 8 / Messiaen - Couleurs de la Cité Céleste [Blu-ray]

 
Bruckner - Symphony No 8 / Messiaen - Couleurs de la Cité Céleste [Blu-ray] cover
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ANTON BRUCKNER / OLIVIER MESSIAEN
Bruckner - Symphony No 8 / Messiaen - Couleurs de la Cité Céleste [Blu-ray]
Sir Simon Rattle, London Symphony Orchestra

[ LSO Live / Blu-ray Disc/DVD ]

Release Date: Friday 11 May 2018

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Sir Simon Rattle and the LSO are joined by revered French pianist Pierre-Laurent Aimard in a concert film that brings together music by Anton Bruckner and Olivier Messiaen: two composers as united in their devotion to the Catholic faith as they are divergent in their approaches to writing music.

The programme begins with Bruckner's monumental Eighth Symphony, with Rattle leading the London Symphony Orchestra through its 1939 edition, prepared by the Austrian musicologist Robert Haas. The composer's last complete symphony, it has since become characterised by its explosive, dramatic nature and immense scale. Taking Bruckner over five years to compose and revise, it would only be performed three times whilst he was alive.

In stark contrast to the magnitude of Bruckner's Eighth, Messiaen's Couleurs de la Cité Céleste lasts just over quarter of an hour. The 20th-century work comprises sequences of short episodes and serves as a microcosm of the composer's various preoccupations, from birdsong to the book of Revelations. Centered on the piano and performed by a reduced orchestra, Aimard takes to the stage, offering an expert rendition of Messiaen's often overlooked work.

Blu-ray + DVD | 2 disc
Stereo | 24bit 48kHz PCM
Notes in English
Total playing time: 1h 44m

Film director: François-René Martin
Audio producer: Nicholas Parker
Audio engineering: Classic Sound Ltd
Recorded Barbican Hall, London, April 2016

"Rattle's performance of Messiaen's 1963 score superbly well, and the control of rhythm and colour is exemplary. The LSO winds and percussion are on superb form and Pierre-Laurent Aimard's contribution is powerfully incisive. The result stands comparison with Boulez's pioneering 1966 recording with Yvonne Loriod." Gramophone

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