Monteverdi: L'Orfeo

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CLAUDIO MONTEVERDI
Monteverdi: L'Orfeo
Ensemble Lundabarock; Höör Barock; Ensemble Altapunta Fredrik Malmberg, musical direction / organ

[ BIS SACD / 2 CD ]

Release Date: Friday 7 May 2021

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L'Orfeo by Claudio Monteverdi (1567-1643) is often described as the first opera. The composer himself used another term for his work, however: 'favola in musica', a musical tale. Taking this as their point of departure, the performers on the present recording place the emphasis on the libretto's direct narrative, and how the music alone is used to express emotions, a music which underpins the plot and the text word for word. To quote the liner notes: 'To modern ears the musical heritage of L'Orfeo is more to be found in the Lieder tradition than in the grand opera of the nineteenth century.' The tale told by Monteverdi and the members of the three ensembles which bring his score to life, is that of Orpheus, the poet and musician who travels to the Underworld in order to persuade Hades to let his beloved Eurydice return to the living. Under the direction of Fredrik Malmberg, and with Johan Linderoth as their Orfeo, the 38 singers and musicians that make up Ensemble Lundabarock, Höör Barock and Ensemble Altapunta perform a score which in 1607 was state-of-the-art contemporary. Four full centuries after the first performance in Mantua it remains almost shockingly modern, as in the sound of cornetts and trombones that summon up the spirits of the Underworld or the portrayal of undiluted, raw grief in Orfeo's celebrated aria Possente Spirto.

Vocal soloists: Johan Linderoth, tenor; Kristina Hellgren, soprano; Christine Nonbo Andersen, soprano; Maria Forsström, mezzo-soprano; Anna Zander, mezzo-soprano; Adam Riis, tenor; Daniel Åberg, baritone; Steffen Bruun, bass; Karl Peter Eriksson, baritone
Ensemble Lundabarock; Höör Barock; Ensemble Altapunta
Fredrik Malmberg, musical direction / organ

"The singers' intensity - and the bold, sometimes unusual distribution of instrumental parts - distinguish this Orfeo from earlier recordings. Linderoth probes Orfeo's vulnerability from first bar to last...Yet it is Malmberg's energy that gives this performance a brilliant edge." BBC Music Opera Choice Oct 2021

"There is some fine instrumental playing, with the outstandingly crisp delivery and rhythmic vitality of the wind instrumentalists bringing particular pleasure. Improvised ornamentation is for the most part discrete." Gramophone

"a stylish, pacy performance. As Orfeo, the tenor Johan Linderoth excels, his singing of Possente spirto, the lavishly ornamented set piece through which his character charms his way into Hades, both magisterial and passionate" Sunday Times