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Release Date: Friday 8 May 2026
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Cheo Hurtado, virtuoso of the cuatro and bandola guayanesa, presents part of the vast traditional Venezuelan repertoire, mainly derived from pre-baroque and baroque Hispanic music: melodic richness and rhythmic vigour.
The Spanish conquest reached Venezuela fairly early. Christopher Columbus had already landed near the Orinoco delta by his third journey, in 1498. As it was near to Santo Domingo and Cuba, which were the gates to all contact with the homeland, Venezuela was exposed to a good deal of musical input from Baroque Europe.
In addition to church and secular art music, Spanish popular music forms were also introduced throughout the continent of South America. These musical forms may have already gained African and American influences while in Spain. In the course of time, they turned into traditional music.
Cheo Hurtado learned to play the cuatro with his father, performed at an early age as a soloist, and was awarded several prizes. He has played with various groups, including "Gurufío" (one of the most popular bands in Venezuela). He also plays the bandola llanera, mandolina and the Cuban tres.
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Registro del Pajarillo - 1
Genaro Prieto
Apure en un viaje
Simón Diaz
Caballo viejo
Luis Fragachán
El norte es una quimera
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Zumba que zumba
A. Lauro
El Marabino
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Registro del Pajarillo - 2
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Polo margariteño
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La periquera
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Gavilán
Heraclio Fernández
El diablo suelto
Alejandro Vargas
La mula
Jésus Lozano
La cabra mocha
Eduardo Serrano
Los hijos de la noche
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La josa
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Golpe Patricio
Angel Custonio Loyola
El prisionero
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Mocho Hernández
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Seis guayanés
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Catalina Yanez
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Las Flores
Benoît Mernier
Comme d'autres esprits