$40.00
Special Order
[ Alpha Classics / CD ]
Release Date: Friday 18 September 2026
This item is only available to us via Special Order. We should be able to get it to you in 3 - 6 weeks from when you order it.
Sandrine Piau and David Kadouch are reuniting for a project that the French soprano conceived as the second part of a diptych begun with Voyage intime (Alpha 911).
This time we enter the world of childhood, but even though this album is called Contes, but "these aren't stories for children", says David Kadouch. Actually, these stories might even present themselves in a way that provokes anxiety - dark and menacing…Sandrine Piau continues: "Folk tales and legends often serve as an initiation and they also act providentially as pebbles that guide us through the forest of our most secret atavistic fears."
With their well-known and recognised expertise, Piau and Kadouch bring together composers from a variety of linguistic and artistic backgrounds - Hahn, Debussy, Ravel, Wolf, Strauss, Zemlinsky, Poulenc, Shostakovich… and introduce us to fascinating female composers such as Jeanne Bernard (1895-1965), Wally Karnevo (1914-2015), Louise Didier (1872-1955) and Ilse Weber (1903-1944).
"'Contes', Sandrine Piau tells us in a booklet interview, forms the second panel of a diptych with 'Voyage intime', her first recital with David Kadouch (3/23), and like the latter is a complex album that inhabits territory at once beautiful and unsettling. Its starting points are fairy tales (the 'contes' of the title), lullabies, nursery rhymes, folk poetry, variations on narratives we encounter in childhood. But fairy tales can be 'horrible stories', Piau reminds us, and their innate darkness leads, as the album progresses, to confrontations with fear, loss, mortality and the depths of human cruelty.
It opens with the airy brightness of Attic Greece, where Jeanne Bernard's Bilitis (very different from Debussy's heroine) tells tales to a group of children before contentedly singing a lullaby to her daughter. It closes, however, quietly facing the horror at the centre of the 20th century, with Ilse Weber's 'Wiegala', written in Theresienstadt, and sung by Weber to her son as they were taken to Auschwitz. It's a heartbreaking ending, haunted by tragic family histories: Kadouch's grandmother and Piau's grandfather were Holocaust survivors, and in their booklet interview, they discuss the impact of their stories on their own childhoods with touching frankness.
A haunting album of songs reflecting different, sometimes dark, aspects of fairy tales and childhood, performed with expressive depth and elegance by soprano Sandrine Piau and pianist David Kadouch." Gramophone Editor's Choice Oct 26
JEANNE BERNARD - Trois chansons de Bilitis
I. Les petits enfants
II. Les contes
III. Berceuse
REYNALDO HAHN
À Chloris
WALLY KARVENO
La robe de lune
CLAUDE DEBUSSY - Premier livre de préludes, L. 117
La fille aux cheveux de lin
MAURICE RAVEL - Cinq mélodies populaires grecques
I. Le réveil de la mariée
II. Là-bas, vers l'église
III. Quel galant m'est comparable
IV. Chanson des cueilleuses de lentisques
V. Tout gai !
HUGO WOLF
Sechs Lieder für eine Frauenstimme: No. 6, Mausfallensprüchlein
Mörike-Lieder: No. 47, Die Geister am Mummelsee
RICHARD STRAUSS - Fünf Lieder, Op. 41
No. 1, Wiegenlied
ALEXANDER VON ZEMLINSKY
Vier Lieder: No. 3, Schlummerlied
Sechs Lieder, Op. 22: No. 4, Elfenlied
MEL BONIS
Mélisande, Op. 109
LOUISE DIDIER
La pluie
FRANCIS POULENC - La courte paille, FP 178
I. Le sommeil
II. Quelle aventure !
III. La reine de cœur
IV. Ba, Be, Bi, Bo, Bu
V. Les anges musiciens
VI. Le carafon
VII. Lune d'avril
DMITRI SHOSTAKOVICH
Ophelia's Song, Op. 127
CLAUDE DEBUSSY
La belle au bois dormant, L. 74
ILSE WEBER
Wiegala