Suggestions: 1812 Overture / Slavonic March (with music by Mendelssohn, Liszt, Kabalevsky, etc)

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Concerto for Clarinet & Orchestra / Quintet for Clarinet & String Quartet cover
add to cart $27.00 Out of Stock
6+ weeks
La Mer / Prelude a l'apras-midi d'un / Printemps / Nocturnes (with Ibert - Escales) cover
add to cart $18.00 Out of Stock
DEBUSSY
La Mer / Prelude a l'apras-midi d'un / Printemps / Nocturnes (with Ibert - Escales)
Boston Symphony Orchestra, Charles Munch
[ Sony / RCA Originals / CD - released 10/Apr/2011 ]
"This makes a superb introduction for the first-time buyer to Debussy's major orchestral masterpieces. It may even provide a point of entry to those unable to relate to the softer-centred impressionist Debussy more commonly heard." (MusicWeb July 04)
Carmina Burana cover
add to cart $18.00 Out of Stock
CARL ORFF
Carmina Burana
Evelyn Mandac, Stanley Kolk, Sherrill Milnes / Boston Symphony Orchestra, Seiji Ozawa
[ Sony / RCA Originals / CD - released 10/Apr/2011 ]
"I would urge the mid-price RCA version by Ozawa every time...polished and incisive with Sherrill Milnes as a magnificent baritone soloist." (Gramophone)
Bruch: Violin Concerto No. 1 in G Minor (with Mozart - Violin Concertos 4 & 5) cover
add to cart $18.00 Out of Stock
MAX BRUCH
Bruch: Violin Concerto No. 1 in G Minor (with Mozart - Violin Concertos 4 & 5)
Jascha Heifetz (violin) / Chamber Orchestra, New Symphony Orchestra of London, Sir Malcolm Sargent
[ Sony / RCA Originals / CD - released 10/Apr/2011 ]
"The G minor Concerto finds Heifetz at his sweetest and most sympathetic, with even the incidental passagework shaped winningly." (Gramophone on the Bruch)
Rodrigo: Concierto de Aranjuez / Fantasia Para un Gentilhombre (with Villa-Lobos - Guitar Concerto) cover
add to cart $20.00 Out of Stock
JOAQUIN RODRIGO
Rodrigo: Concierto de Aranjuez / Fantasia Para un Gentilhombre (with Villa-Lobos - Guitar Concerto)
John Williams (guitar) / English Chamber Orchestra, Daniel Barenboim & Charles Groves
[ Sony Originals / CD - released 10/Apr/2011 ]
"A warm, outgoing account, captured in a recording that focuses sharply on both guitaristic and orchestral details without seeming overly clinical" (New York Times)