Since you are interested in House of Frankenstein, here is a list of other items that you may find interesting.
MAX STEINER
Treasure of the Sierra Madre (The) Dino Soldo (harmonica) / Moscow Symphony Chorus / Moscow Symphony Orchestra / William Stromberg [ Naxos Film Music Classics / CD - released 9/Oct/2007 ] Max Steiner's music for The Treasure of the Sierra Madre is one of the composer's best remembered scores and gathered recognition by winning the Venice World Award in 1948. |
KORNGOLD
Sea Hawk (The) / Deception Irinia Romishevskaya / Moscow Symphony Chorus and Orchestra / William Stromberg [ Naxos Film Music Classics / 2 CD - released 10/Jul/2007 ] "This isn't just essential for Korngold or film score collectors--this release also is perfect for mp3 players, long car trips, or any activity that needs a nice big chunk of orchestral music to while away an hour or two. If this isn't an... |
MAX STEINER
All This, and Heaven Too / A Stolen Life Moscow Symphony Chorus / Moscow Symphony Orchestra / William Stromberg [ Naxos Film Music Classics / CD - released 9/Oct/2007 ] All This, and Heaven Too came in 1940 when the composer's approach was very emotional with highly chromatic writing in the Wagner tradition. The music reflects and comments on the dialogue, surging dramatically and appropriately at every opportunity. |
BERNARD HERRMANN
The Snows of Kilimanjaro / 5 Fingers (complete soundtracks) Moscow Symphony Orchestra / William Stromberg [ Naxos Film Music Classics / CD - released 10/Apr/2008 ] "This is another fine addition to Naxos's growing catalogue of Film Music Classics. Stromberg brings strong and intelligent performances from the Moscow Symphony Orchestra and the sound is bright and clear in the label's best manner." (MusicWeb July... |
WOJCIECH KILAR
Bram Stoker's Dracula / Death and the Maiden / King of the Last Days Polish National Radio Symphony Orchestra / Antoni Wit (Conductor) [ Naxos Film Music Classics / CD - released 14/Nov/2006 ] Kilar had worked on over a hundred Polish films before scoring his first American film, Francis Ford Coppola’s Bram Stoker’s Dracula, followed by acclaimed scores for Roman Polanski’s Death and the Maiden and The Ninth Gate, typified by expressive... |