Townes

Steve Earle presents 'Townes', his highly anticipated follow up to the Grammy Award winning album 'Washington Square Serenade'. The 15-song set is comprised of songs written by Earle's friend and mentor, the late singer-songwriter, Townes Van Zandt.

The album was produced by Earle at his home in Greenwich Village, at Sound Emporium and Room and Board in Nashville, TN and The Nest in Hollywood, CA. The track "Lungs", was produced and mixed by the Dust Brothers John King and features Tom Morello of Rage Against the Machine / The Nightwatchman on electric guitar. Earle's wife, the acclaimed singer / songwriter Allison Moorer, is featured on backing vocals on "Loretta" and "To Live is to Fly". Three songs cut in Nashville, "White Freightliner Blues", "Delta Momma Blues", and "Don t Take It Too Bad" feature a bluegrass band consisting of Dennis Crouch, Tim O Brien, Darrel Scott and Shad Cobb.

Earle met Townes Van Zandt in 1972 at one of Earle's performances at The Old Quarter in Houston, TX. Van Zandt was in the audience and playfully heckled Earle throughout the performance to play the song "Wabash Cannonball". Earle admitted that he didn't know how to play the tune and Van Zandt replied incredibly "You call yourself a folksinger and you don t know Wabash Cannonball"? Earle then silenced him by playing the Van Zandt song "Mr. Mudd and Mr. Gold", not an easy feat due to its quickly-paced mouthful of lyrics squeezed into just over two minutes of song. Their bond was immediately formed. On 'Townes', Earle and his son, singer / songwriter Justin Townes Earle (named after Van Zandt) trade verses on the tune, a song the two of them have been playing together since Justin was a teenager.

The songs selected for 'Townes' were the ones that meant the most to Earle and the ones he personally connected to (not including selections featured on previous Earle albums). Some of the selections chosen were songs that Earle has played his entire career ("Pancho and Lefty", "Lungs", "White Freightliner Blues") and others he had to learn specifically for recording. He learned the song "(Quicksilver Daydreams of) Maria" directly from Van Zandt, and taught himself "Marie" and "Rake" specifically for the album's recording. Once a song he played during his live show, Earle relearned "Colorado Girl" in the original Open D tuning that Van Zandt played it in. Earle recorded the New York sessions solo and then added the other instruments later on in order to preserve the spirit of Van Zandt's original solo performances to the best of his recollection.

"This may be one of the best records I've ever made."
- Steve Earle