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Giovanni Guidi, James Brandon Lewis, Thomas Morgan, Joao Lobo
A New Day [ ECM / CD - released 12/Jul/2024 ] Rekindling the familiarly flowing interplay with fellow travellers Thomas Morgan and João Lobo - the trio's musical partnership goes back over a decade at this point -, on A New Day Italian pianist Giovanni Guidi moreover expands the group's... |
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JANET JENNINGS / WITI IHIMAERA / TOM ROA
Flowing Water Voices New Zealand, Joel Amosa, James Ioelu, Ora Kihi, Amy Thomas, Anna Simmons, Angus Simmons, Morgan-Andrew King [ Performing Arts Community Trust / 2 CD - released 8/Apr/2022 ] This unique blend of kapa haka, opera, drama and music tells the histories of Aotearoa New Zealand through key events that took place from the emerging of this land from the waters, to the arrival of Māori, the arrival of British, to ensuing... |
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PARRY / WESLEY / GOSS / CLARKE / MENDELSSOHN / OUSELEY / SCHUBERT
MARBECKS COLLECTABLE: Great Cathedral Anthems Vol 7 The Choir of Chichester Cathedral, Alan Thurlow. with James Thomas (organ) [ Priory / CD ] Chichester Cathedral Choir sings at many of the services, concerts and other events held here. Performing on roughly 300 occasions each year. |
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GILBERT and SULLIVAN
Gilbert & Sullivan: H.M.S. Pinafore (Complete Opera recorded in 1971) D'Oyly Carte Opera Company, with John Reed, Pauline Wales, Thomas Lawlor, Christine Palmer, Ralph Mason / James Walker (cond) [ Decca Australian Eloquence / 2 CD - released 20/Jun/2018 ] "There is a real sense of staging and movement which is all to the good. The dialogue is well handled and is very much a plus factor.' Fanfare, November/December 1983 |
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GEORG FRIDERIC HANDEL
MARBECKS COLLECTABLE: Handel: Messiah (highlights) Emma Kirkby (sop) Margaret Cable (alto) James Bowman (countertenor) Joseph Cornwell (ten) David Thomas (bass) / Taverner Choir and Players / Parrott [ Virgin Virgo / CD - released 19/Oct/2004 ] Highlights from the classic recording including 'Behold the Lamb of God', 'He was despised' and 'I know that my Redeemer liveth' |
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W. A. MOZART
Mozart: Requiem Realisations Elin Manahan Thomas (sop) Christine Rice (mezzo) James Gilchrist (tenor) Christopher Purves (bass) / Choir Of Kings College Cambridge, Academy of Anci [ Kings College Cambridge / 2 Hybrid SACD - released 8/Apr/2013 ] "The standard of the performance is high, so long as you want a liturgical version, one that might be used at a service...This is an educative set, and it is interesting to listen to the alternative versions." (BBC Music) |
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J. S. BACH
Cantatas: Recreation for the Soul Elin Manahan Thomas, Daniel Taylor, James Gilchrist / Magdalena Consort, Peter Harvey [ Channel Classics SACD / Hybrid SACD - released 20/May/2015 ] "The four voices are fairly matched with each other, less so with their instrumental colleagues, and Harvey leads unfailingly elegant interpretations. At each turn, however, they yield to the textual and expressive detail of The Bach Players." Gramop |
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Giovanni Guidi, James Brandon Lewis, Thomas Morgan, Joao Lobo
A New Day (LP) [ ECM / LP - released 12/Jul/2024 ] Rekindling the familiarly flowing interplay with fellow travellers Thomas Morgan and João Lobo - the trio's musical partnership goes back over a decade at this point -, on A New Day Italian pianist Giovanni Guidi moreover expands the group's... |
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CLAUDIO MONTEVERDI
Monteverdi: Madrigals of Love and Loss James Gilchrist (tenor) Katherine Watson (soprano) & Anna Dennis (soprano) Thomas Walker (tenor) / Arcangelo, Jonathan Cohen [ Hyperion / CD - released 10/Feb/2014 ] 'These are not easy pieces, but the opening ballet swings along with panache, and there is some excellent tenor solo singing in the first section … the two sopranos in the duet Ohimè, dov'è il mio ben show poise and taste' (BBC Music Magazine) |
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HANDEL
4 Coronation Anthems / Foundling Hospital Anthem / Utrecht te Deum / Ode for the Birthday of Queen Anne HWV74 Judith Nelson, Shirley Minty, James Bowman, David Thomas / Choir Of Winchester Cathedral, The Brandenburg Consort, David Hill [ Double Decca / 2 CD - released 1/Nov/2012 ] "the choir sing most beautifully throughout and of the soloists, John Elwes is particularly sensitive to Handel's setting of charitable texts." (Gramophone on the Foundling Hospital Anthem) |