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JOHN NEPOMUK HUMMEL
Hummel: Missa Solemnis / Te Deum David Griffiths (bass) Zan McKendree-Wright (alto) Patrick Power (tenor) Patricia Wright (sop) / TOWER Voices New Zealand / NZ Symphony / Uwe Grodd [ Naxos / CD - released 2/Apr/2004 ] Editor's Choice - Gramophone Magazine May 2004 - "This choir has a remarkable level of control, vocal development and musicality. The fact that they are all trained voices means that an effortless power is available to them, with a wide and dramatic... |
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J. S. BACH
Bach - Secular Cantatas VIII: Celebratory Cantatas Hana Blažíková (soprano), Hiroya Aoki (alto), Charles Daniels (tenor) & Roderick Williams (bass) / Bach Collegium Japan, Masaaki Suzuki [ BIS SACD / Hybrid SACD - released 24/May/2017 ] "This is a superb issue in a superb series." MusicWeb December 2017 |
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HAVERGAL BRIAN
MARBECKS COLLECTABLE: Brian: Symphony No.1 "The Gothic" Vladimir Dolezal (tenor) / Eva Jenisova (soprano) / Peter Mikulas (bass) / Dagmar Peckova (alto) / Various Choirs / Slovak Philharmonic, Ondrej Lenard [ Marco Polo / 2 CD Box Set - released 2/Feb/1990 ] "Leonard leads a substantial percentage of the adult population of Bratislava in a noble effort, full of excitement, with enthusiastic choral singing and a very good lineup of soloists all vividly if a touch shallowly recorded" ClassicsToday... |
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JAN DISMAS ZELENKA
MARBECKS COLLECTABLE: Zelenka: Missa Dei Patris, Psalms & Capriccio's Peter Schreier (tenor), Olaf Bär (baritone), René Jacobs (alto) & Ludwig Güttler (corno da caccia, trumpet & conductor) [ Brilliant Classics / 2 CD - released 8/Nov/2013 ] "Zelenka was one of Bach's and Telemann's most musically colourful contemporaries." (Gramophone) |
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Art Pepper (alto sax), with Jack Sheldon (trumpet), Russ Freeman, Gerald Wiggins (piano), Leroy Vinnegar, Ben Tucker (bass), Shelly Manne (drums), etc
The Return of Art Pepper - The complete Art Pepper Aladdin recordings - Volume One [ Blue Note / CD - released 2/Dec/2022 ] "Pepper sounds surprisingly good for having been away from recording nearly two years. At this point, he retained the cool and dry tone which would later give way to the torrential playing of his final comeback. The music is vintage West Coast cool,... |
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WILHELM FRIEDEMANN BACH
MARBECKS COLLECTABLE: Bach, (W.F.): Cantatas Barbara Schlick (soprano) Claudia Schubert (alto) Wilfried Jochens (tenor) Stephan Schreckenberger (bass) / Das Kleine Konzert, Das Kleine Konzert [ Brilliant Classics / 2 CD - released 20/Jul/2007 ] Recorded 15-22 April 1991, Wuppertal-Barmen, Immanuelskirche |
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The Bill Perkins Octet (featuring Bud Shank, alto saxophone, and Bill Perkins (tenor Saxophone)
On Stage: The Bill Perkins Octet [ Pacific Jazz / CD - released 4/Oct/1999 ] Recorded at the Music Box Theatre in Los Angeles on February 9 (1-4, 9) and February 16 (5-8), 1956. |
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GOTTFRIED HEINRICH STOLZEL
MARBECKS COLLECTABLE: Stölzel - Christmas Oratorio (Cantatas 6 - 10) Britta Schwarz (Mezzo Soprano), Henning Voss (Alto) Jan Kobow (tenor) Klaus Mertens (bass) / Weimarer Barockensemble, Ludger Rémy [ CPO / CD - released 1/Mar/2002 ] Recorded Weimar, Redoute, January, 2000 |
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Cannonball Adderley (alto sax), with Milt Jackson, Wynton Kelly, Percy Heath & Art Blakey
Cannonball Adderley - Things Are Getting Better [ OJC / CD - released 2/Feb/1988 ] This title provides ample evidence why alto Cannonball Adderley is considered one of the masters of his craft. Here he joins forces with Modern Jazz Quartet co-founder Milt Jackson on vibes to create a variety of sonic atmospheres. |
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WILHELM STENHAMMAR
Stenhammar: Sangen [symphonic cantata] / Reverenza / Romeo and Hulia / Romances Charlotta Larsson (soprano) Martina Dike (alto) Lars Cleveman (tenor) Frederik Zetterstrom (baritone) / Gothenburg Symphony Orchestra / Paavo Jarvi (c [ BIS SACD / Hybrid SACD - released 1/Sep/2018 ] In a way it is odd that Stenhammar may be best known for a comparative trifle - the Entr'acte from the huge cantata Sången ('The Song'). This is an encore for basically all Swedish orchestras touring abroad. So why limit oneself to recording just... |
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BENJAMIN BRITTEN
Rarities (incls 'Voices for Today' & 'Bottom's Dream') Choir of King's College / John Hahessy (boy alto) / Peter Pears (tenor) / Pamela Bowden (contralto) / Sir Geraint Evans (baritone) [ Decca SBS Australian Eloquence / CD - released 1/Jan/2013 ] "Britten's underrated United Nations anthem Voices for Today makes it onto disc at last, together with vintage recordings of artists the composer chose to work with." (BBC Music) |
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J. S. BACH
MARBECKS COLLECTABLE: Bach, J. S.: Motets / Easter Oratorio BWV 249 Christine Brenk (soprano) Anne Greiling (alto) Frank Bossert (tenor) Thomas Pfeiffer (bass) / Kammerorchester Pforzheim / Ensemble vocal de Lausanne [ Brilliant Classics / 2 CD Box Set - released 20/Jul/2007 ] It is uncertain how many motets Johann Sebastian Bach composed, because some have been lost, and there are some doubtful attributions among the surviving ones associated with him. There is a case for regarding the six motets catalogued BWV 225-230 as... |
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J. S. BACH
Bach: Christmas Oratorio (recorded in December, 1999) Claron McFadden, sop, Bernarda Fink, alto, Christoph Genz, tenor, Dietrich Henschel, bass / Monteverdi Choir, English Baroque Soloist, Eliot Gardiner [ EuroArts DVD / 2 DVD - released 18/Nov/2022 ] In the historic Weimar Herder Church Sir John Eliot Gardiner finds the perfect setting for his recording of the Bach Christmas Oratorio. Against the backdrop of the dramatic altar and Lucas Granach paintings, the Monteverdi Choir and the English... |
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PAULCRESTON / JOHN WILLIAMS / ROGER BOUTRY / Ástor Piazzolla / etc
La création du monde Claude Delangle (alto saxophone) / Swedish Wind Ensemble / Christian Lindberg [ BIS / CD - released 1/Feb/2013 ] Chronologically, this programme of music for wind ensemble is framed by Darius Milhaud's La création du monde, a ballet score from 1923, and the composer Anders Emilsson's Salute the band, commissioned for the 2006 centenary of the Swedish Wind... |
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GEORG FRIDERIC HANDEL
MARBECKS COLLECTABLE: Handel: Oratorio Arias David Daniels (alto) / Paris Ensemble Orchestral, John Nelson [ Virgin Records / CD - released 4/Sep/2002 ] "His really is a beautiful voice, far removed from the traditional 'churchy' countertenor timbre." -Editor's Choice (Gramophone Magazine Sept 2002) |
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Donald Byrd (trumpet) with Jackie McLean (alto saxophone) Art Pepper (baritone saxophone) Doug Watkins, Reggie Workman, Sam Jones (drums) & others
Blue Byrd [Bryd in the Hand / Byrd in Flight] [ Not Now Music / 2 CD - released 26/Oct/2011 ] Recorded At - Van Gelder Studio, Hackensack, New Jersey - CD1 Recorded At - Van Gelder Studio, Englewood Cliffs, New Jersey - CD2 |
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GOTTFRIED HEINRICH STOLZEL
MARBECKS COLLECTABLE: Stölzel - Two Serenatas Dorathee Mields (sop) Elisabeth graf (alto) Knut Schoch (ten) Ekkehard Abele (bass) / Telmannisches Collegium Michaelstein, Ludger Remy [ CPO / 2 CD - released 20/Jan/2010 ] Recorded: 28 August - 4 September 2004 Recording Venue: Kirche St. Bonifatius, Ditfurt |
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GEORG FRIDERIC HANDEL
MARBECKS COLLECTABLE: Handel: Messiah (highlights) Emma Kirkby (sop) Margaret Cable (alto) James Bowman (countertenor) Joseph Cornwell (ten) David Thomas (bass) / Taverner Choir and Players / Parrott [ Virgin Virgo / CD - released 19/Oct/2004 ] Highlights from the classic recording including 'Behold the Lamb of God', 'He was despised' and 'I know that my Redeemer liveth' |
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ROBERT SCHUMANN
MARBECKS COLLECTABLE: Schumann: Complete Schumann Edition: Vol 6 Geraldine McGreevy (soprano) Stella Doufexis (alto) Adrian Thompson (tenor) [ Hyperion Schumann Edition Vol 6 / CD - released 26/Feb/2002 ] "Another winner in this profoundly satisfying series from Graham Johnson ." - Editor's Choice - Gramophone Magazine (April 2002) |
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GEORG FRIDERIC HANDEL
Handel: Messiah (complete oratorio recorded in 2016) BLU-RAY Hanna Herfurtner (sop), Gaia Petrone (alto), Michael Schade (ten) Christian Immler (bass) / Salzburger Bachchor & Bach Consort Wien, Rubén Dubrovsky [ Naxos Blu-ray / Blu-ray Disc - released 1/Apr/2017 ] Described by librettist Charles Jennens with typical English understatement as "a fine entertainment", Handelʼs Messiah was initially controversial as a biblical oratorio written for secular theatres. Within years it was however being "received with... |